Hello World (For the 374th Time)

CURRENT PROGRESS:

Facebook:

(I’m up to Mar 7, 2014, 6:55 PM)

Twitter:

Livejournal:

WP Blog:

(Imported, tags/categories cleared, post review pending)

WP Politics:

(Completed. Tag = TLDR Politics)

So you might have noticed, I moved the Dumptruck blog to the top-level of my oldest-owned domain Zerosubspace. It’s also running on a t3a.nano instance on Amazon AWS EC2.

Why?

Well, you probably didn’t say why, but I am going to tell you anyway since you committed to reading this. Though you can stop, if you’d like.

I’ve had a longstanding project in the background for the better part of the last decade to coalesce my entire online blog, social media, and written works repositories into one location. The secondary goal was also to offload a lot of niche topics and controversial things into their own containment zones. But I could not really determine how I wanted to structure it, and I wasn’t completely settled on WordPress as the CMS of choice. But finding it difficult to really work with anything else, often requiring some heavy lifting and import/export compatibility issues, I came back to WordPress because it’s just easier for me to use, and I don’t need anything fancy theme-wise. I prefer the minimalist approach much like my blogs and journals of yore.

I like to write, and I like to write a lot of exposition and opinion pieces. Ten years ago, people largely read the things they wrote online. Livejournal was an early social media concept still anchored in The Old Ways of unwarranted self-importance. But when I began Facebook, ironically this week ten years ago, I tried to import a lot of those ways into Facebook. As time wore on, it became obvious that Facebook is not for that purpose. People log into Facebook, scroll endlessly through ads, sponsored content, news articles about tragedy that they skip over to as not to feel bad during a “good day”, and pictures of animals, food, babies, and everything else. So I operated a number of side-blogs elsewhere. But they don’t get the kind of traffic or response I’d expect, so I kept trying to fold things back into Facebook and Twitter. In the grand scheme of things, that did not work. As people became more and more ensconced in their own bubbles and safe spaces, myself included, I found there was no longer a place on social media for the kind of useless prattling I offer.

So ultimately I decided that even though this blog will get little traffic (partly thanks to ROBOTS.TXT) and little notice, I want to construct both an archive of what was, and continue writing what will be. I’ll probably set up a plugin to cross-post to Facebook, but when I return to Facebook, the goal moving forward is just going to be posting shortform takes and life updates. Nothing else. The ultimate end goal is to decouple myself from the insidious nature of Facebook and Twitter, and control more of my own data. I haven’t decided if I’ll ever delete everything, because my life likes to tag me in posts and photos and have my presence around her social media orbit.

I preserved ninety posts from the Dumptruck blog under the category “Originals” which will cover any and all original blog works. The categories “Facebook”, “Twitter”, and “Livejournal” will cover curated posts from those three social media platforms as I bring them over. It will be a long process as there is no neat way to import these, I tried. Finally, there is a catagory called “Classics” which will feature some posts from deprecated blogs, such as “TLDR Politics”, “TLDR Vidya”, and the original blog.zerosubspace.com. I do not know if I will try to import material from the old Blogspot blog I had during high school. A lot of it was pretty brutal as I had a lot of shit happen back then. A lot of my early web is gone, and often I kind of like it that way.

As for a technical rundown, my current VPS host ChicagoVPS is good, but I don’t really utilize it fully for much anymore. I did revive the anime blog, which I am debating if I will keep there, or also move. What I am testing is nano instances on Amazon EC2 to see if they will be good handling small-traffic blogs. It’s a two-core 512MB instance that should cost less than $5 a month, and since I use R53 for DNS, it doesn’t have to go far outside their infrastructure. The anime blog may stay on ChicagoVPS because in previous experience the traffic it was getting required more resources. But I also wanted to separate everything out as I had too many domains going to one place. As for my difficulties with trying to import data into WordPress, sadly I lack the in-depth knowledge to really work with it to where I could have probably gotten these to work. So I tried many boxed solutions but ran into a ton of issues trying to work with Facebook’s Developers portal and API. They do offer the option now to download your data both in HTML and JSON, but I could not find a JSON plugin that would do what I wanted to do.

So I am just going to do it the old fashioned way. It’s going to take awhile, but it also allows me to go through 10-15 years of bullshit and pick out stuff worth carrying over. I am also going to delete what I bring over. I don’t think there will be too many issues, as it will be mostly the dumb political shit or such. I’ll judge if its impact is worth keeping or not.

Questions? Comments? Leave em here or hit me up on Discord @ Equilateral#6206

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In Defense of Common Sense

I don’t generally like to assume anything of someone, because everyone has different ideas of things like justice, fairness, logic, and honor. We often spend a large amount of time debating one another over how more or less we care about things, with the express implication that not talking about it, or not taking up the majority position on something makes us horrible people. For a nation, and a generation, that is defined on tolerance and understanding, we’re not particularly good at either of them. But flaw is what defines humanity, flaw is why we’re human in the first place, and not robots without free will, or destined to jump off a cliff without questioning why.

What happened in Florida on Wednesday can only be described as a tragedy, a tragedy bored out of human darkness, malice, and madness. Seventeen innocent people, who before that day had thought no different of the world, or of what tomorrow might bring, who before that day had thought they’d graduate and have careers, raise families, or do something great, or maybe nothing at all. They were cut down by weapons created and sustained over hundreds of years of innovation, with the near-explicit purpose of ending human life.

Now, there was a reason I chose not to launch into social media tirades about gun control, The Second Amendment, mental health, or other topics the day of, and it’s not because these issues are not important, or should not be discussed, or even out of respect for the victims and their families. I chose to wait to talk about this because our emotional response to something is the highest directly after something happens. A lot of people will say that does not matter or it strengthens the message, but I disagree, because it often puts heavy tunnel vision on what you’re seeing and obfuscates other angles you aren’t considering because you want your thing to be right. I don’t want to be right or wrong, I want to understand what motivates people to commit extreme violence, and why we as a nation are willing to look away at the worst aspects of humanity in exchange for political capital. Essentially, we’re more concerned with winning politically-motivated arguments and battles than we are understanding and stopping human madness. So I feel I have to wait a couple days, observe others, and pull together something more cohesive, more pragmatic, and ask that you give it a fair shake. I want a real conversation, not a hashtag movement online bookended by social gerrymandering.

In order to critique this act, we must first set the stage, and that is the history of firearms and American Culture.

OPPOSING TYRANNY

Before supermarkets, delivery, and fast-food, humans had to hunt and gather to survive. Primitive weapons achieved these goals, like spears and daggers, or environmental traps, to catch animals. The American frontier was no exception, and in the early days of the Republic, families hunted to survive. But as weapons such as muskets and canons can also be used to kill enemies, their use in the American Revolutionary War is no exception to the cruelty of man. We saw the British monarchy as a threat to our freedom and democracy, so we took matters into our hands to drive them away. Post-war, many towns and villages insisted we maintain the ability to own and operate firearms in case of a British return, but also against our own government. The founders, as presumably a lot of early settlers, understood that human temptation can turn even the most honorable person astray, such as Benedict Arnold during the Revolutionary War, a man that had led American forces into many successful battles, but grew frustrated with American politics and the first Continental Congress, and defected shortly after. Throughout early American history, the gun was not only a tool, but a deterrent, and a teaching moment for schoolchildren learning about the tyranny of Britain and of King George III. Taxation without representation is a oft-used slogan in America, and it’s part of our cultural heritage, because the United States of America exists because men fought for, and died for, changing the way we govern ourselves and each other. Unlike other countries where gun culture is not as prevalent, guns played an important role in shaping our nation, and continued to do so through the expansion to the West, The Civil War, and beyond.

Understandably, the world has changed since the revolutionary days. We no longer rely on heads-of-households to possess hunting skills to survive, or militias to defend against foreign invaders, and our system of government, ideally, provides checks-and-balances to curb officials from having absolute power. So what role does a gun play in today’s social landscape?

A BRIEF HISTORY OF GUN CONTROL

While there have been many challenges to the Second Amendment and gun ownership prior to the 20th Century, the first federal bill outlawing the sale of specific firearms was in 1934 with the National Firearms Act. In response to the St. Valentine’s Day Massacre of 1929, the federal government outlawed the sale of Thompson Sub-Machine guns (The “Tommy Gun”) and sawed-off shotguns to civilians. During the bill’s drafting, there were early proposals to include handguns and other weapons as well, particularly due to the ability to conceal them, but ultimately the bill passed with only long-form weapons being outlawed. Although most of this bill would later be defeated in the 1960s by the Supreme Court, parts of it would later become the basis for the Firearm Owners Protection Act of 1986 and the Federal Assault Weapons Ban of 1994. All of these laws that dealt in the regulation or prohibition of ownership of specific types of firearms were neccesitated by large-scale crime involving weapons, or assassinations particularly in the 1960s with President John F. Kennedy, Dr. Martin Luther King Jr., Ruby Ridge in 1992, and the Waco siege in 1993. It is worth nothing, however, that the Assault Weapons Ban expired in 2004, and was not renewed. However, AR-15 style weapons were still considered legal under the AWB then, as the bill mostly concerned itself with foreign-made semi-automatic weapons like the TEC-9 and AK-47, weapons that were in wide-use in Middle Eastern conflicts in the 1980’s and 1990’s and were being imported in large quantities to the US.

The commonality of these bills is they all deal with weapons considered to be “deadly”, meaning they can inflict large amounts of damage in a short time span. “The Tommy Gun”, a fully-automatic weapon, was a staple of 20th century American crime, and the favorite weapon of crime bossess and gangs dealing in alcohol following the Prohibition. Today they’re featured in many detective noire series and films that depict that era for being a time when gritty cops squared off against the seedy criminal underground. But after the weapon’s ban and exit from cultural significance, and prior to the 1960’s counterculture and social unrest, there were a couple decades without much of note. Was this because the bills succeeded? Or was this because society learned to live without resorting to gun violence? Certainly, the advance in gun technology, larger magazines, compact design, and other factors made it appealing not only for enthusiasts and sport-shooters, but criminals and deviants as well. The unfortunate aspect of freedoms and rights is that it becomes difficult to gauge who is good and who is bad, who should own guns, and who should not. Any bill or law, even in best-faith, cannot seek to completely eliminate gun violence so long as guns exist.

THE DECLINE OF STRUCTURED VALUES

When people talk about “the good ol’ days”, they often talk about the 1950’s. The middle of the 20th Century is well-regarded by older generations as being the zenith of American culture, American innovation, and American ideals. We had won World War II, liberated Europe from fascism, and cemented our status as a world superpower. We began to rebuild and reshape our economy after The Great Depression. At this time, the “American Dream” was defined as a man and woman, married, with children, a home with a white-picket fence, in a quiet no-crime neighborhood on a cul-de-sac, with a dog, the Bible, and wholesome family values. Sixty-eight years later, a lot has changed. Civil rights, Women’s rights, anti-war protests, and entertainment counterculture defined and reshaped society between 1960 and 1990. Religion’s dominance of social values deteriorated significantly, especially on matters of family, marriage, divorce, and abortion. Globalism and expanded foreign trade changed the American economy and job landscape as more people immigrated to America in search of better jobs and opportunities. With the advent of the internet and personal computers after 1995, society jumped to warp speed as we began to get news from halfway around the globe in an instant, always-connected smartphones and information feeds, social media, and blogs, content creators, and microtransaction-revenue streams.

Today’s average family tends to be a single parent, or a twice or thrice remarried couple with extended families. They live in multi-family homes, or large apartments. They don’t belong to any religion, live in urban or suburban landscapes. They work 50-60 hour weeks to barely pay for their home and utilities, or overtime to send their children to a magnet school. Because there is often no parent whose sole job it is to care for or raise the children, children are often placed in day-care centers or with other family members. This shift in job and parenting dynamics has changed how we raise children, and how children assimilate cultural norms. Sixty years ago, firearm usage was considered a privilege that only older children who had learned the proper handling and usage of them were allowed to partake in, and like their frontier heritage, it was considered a rite-of-passage for boys to learn shooting to become men. Today, firearms are not really neccessary at all to live a normal lifestyle, but can still taught to older children, especially in rural parts of America, or the Boy Scouts of America. Others engage in something safer like Airsoft guns, or paintball guns, either as entertainment, or as a building-block towards the proper handling of the real thing. But culturally, guns have never escaped the American landscape. They’re still seen on television and movies as a means of conflict resolution. Nerf still makes weapons that shoot foam darts, which will not hurt anyone, but unless proper reinforcement is taught, can lead to escalated use of more deadly weaponry. Unlike other countries who may not share our cultural norms with firearms, it occupies a strong place that requires constant reinforcement from other aspects of society to control.

Often, mass shooters came from homes and family situations that lacked any kind of structure. Outcasts, bullied, shamed, degraded, they slowly lose any moral center or conscious they had and slowly devolve into madness. They convince themselves that the only path to redemption, in absence of God, their parents, or any figure they look up to, is to leave this world taking as many people as they can. Most mass shooters commit suicide by their own weapons after killing others, because for them it’s eternal glory, to be remembered even in tragedy and pain. It’s a human darkness that most people do not understand, and are visibly upset by, because they cannot fathom another human taking lives so wanton without any preconceived bias. Unlike most forms of murder or homicide, mass shooters don’t really have hard targets, they don’t seek out specific people. They just fire indiscriminately and land on whomever gets in its path. The shooter in the Hartford Distributors shooting in 2010 was reported to have skipped over shooting women and a person in a wheelchair, saying they were “like him” and didn’t deserve his sense of justice. It’s a rare example of a mass shooting where the targets were chosen somewhat at-random, with conditions. However workplace shootings and school shootings have many differences, and differing motives of the shooters.

THE MENTAL HEALTH DEBATE

When the Virginia Tech massacre happened in 2007, the aftermath sparked an intense debate over mental health, and spurned a new piece of legislation, the National Instant Criminal Background Check System (NICS) to be signed by then-President George W. Bush. The shooter, who had a severe history of mental illness, was admitted to Virginia Tech who did not check his history, and he was able to legally purchase weapons without a check on this history either. Lawmakers saw this as a loophole, but the psychiatry community saw this as a possible vector for the study of violence and mass shootings. It had been fairly thought of that most mass shooters had some kind of mental disorder or illness that contributed to their reasoning to commit wanton excessive violence against random soft targets, but there was no real pattern to it. Pundits and passerbys for years blamed violent media, M-rated video games, the wars in Afghanistan and Iraq, and any number of other factors on the rise of domestic violence, but there was at least nine major school shootings between Columbine in 1999 and Virginia Tech in 2007 around the world, some involving firearms, and others involving melee weapons such as in China. Even to this day people tend to think that mental health is not a significant factor, placing it far behind the gun itself, and various aspects of popular culture.

Because many shooters use mass shootings as a cover for suicide, it’s difficult for us to really have someone deeply examine their psyche or understand what they are thinking. Besides the Florida suspect and the Kentucky suspect from a month prior this year, Dylann Roof (Charleston Church shooting) and James Holmes (Aurora Colorado theater shooting) were also arrested after their mass-shootings, rather than they commit suicide on scene. In Roof’s case, during his trial, forensic psychiatrist Dr. James Ballenger determined that he may suffer from many documented illnesses, most commonly Autism, but that based on his analysis of Roof’s manifesto and courtroom proceedings, he was mentally fit to stand trial where his defense lawyers had sought him to be found mentally incompetent. Roof’s sociopathic nature was very apparent in not only his decision-making leading to the shooting, but also in his courtroom proceedings where he attempted to deny a trial-by-jury and rejected motions to have him declared mentally-ill. In Roof’s case, while his mental health could be the subject of analysis for many years, he was sentenced to death and put on death row in the federal government’s Terre Haute facility, the same facility that was the end of the road for Oklahoma City Bomber Timothy McVeigh in the 1990s. Holmes on the other hand, had a myriad of mental issues that made him more difficult to pin the death penalty on. In Roof’s case, jurors took only two hours to convict him of his crimes. In Holmes trial, a number of jurors were dismissed due to discussing case details out of court, among other conflicts. When they failed to agree on the death penalty, he was sentenced to life without parole. Since then he has converted to Islam, and considers his victims “infidels”. It’s a sign of a deep delusion that draws a person like him to warp his thinking in order to rationalize his actions. Back in 2014, a man named Elliot Rodger went on a shooting spree in Isla Vista California that left six dead and more injured. The circumstances behind this tragedy were a bit different in that the perpetrator was from a very rich and affluent family, but in his very detailed manifesto, he outlined the circumstances that led to everything he felt, and what motivated him to take out other people with himself. I wrote a very long response to his manifesto at the time, and it’s worth your read if you are truly interested in this topic, because I believe the human component to this to be very much more important that the gun control component of this. An excerpt of what I wrote:

It was a frankly horrifying experience to read. I don’t say this lightly. People who know me know that I often play devil’s advocate, especially with events like this, because I firmly believe that we need to understand any single bit of information people like this have to say. We need to acknowledge these killers as people. I know everyone’s first reaction is to not watch the videos, not read the manifestos, and shut out any mention of his name or family, because we believe copycat killers who thrive on attention will continue the field of tragedy, but the truth is those determined to carry out these acts will do so anyway, and very few, if all, have been copycat incidents. These kids have real problems. Elliot Rodger is one of the first to actually document everything about himself beforehand, including giving us a rare glimpse into why he convinced himself he had to do this. We will all surely disagree with why he did it, as well we should, but it’s an important piece of information to have in order to understand mental health and actually help other people like Elliot, instead of just waiting until it’s too late, and casting another human soul into the dark box because they snapped and went apeshit. 

But unfortunately, unlike long ago when people sought out facts and information, looking to build logical conclusions to make sense of what has happened, our bite-size, transient, instant information feed culture leaves little room for people to really dig into why someone like Roof, Holmes, or Rodger would commit these crimes. The media, eager to hold viewership during tragedy, feeds people only the basic bylines. Racially-motivated, domestic terrorist, white supremacist, toxic masculinity. These are all buzzwords used to tag shooters in an effort to dehumanize them, yet at the same time they fetishize their kill counts and the weapons used, inspiring copy-cat killers to begin preparing for their own five months of fame. It’s not completely the media’s fault, they’re trying to report the news minute-by-minute, and because most people don’t wait for the rest of the story to finish coming out, they base their assumptions on that initial report. This makes the mental health debate incredibly hard to qualify in these events because people’s perceptions of mental health vary, especially when a large number of people consider Autism to be a “fake illness” bookended by parents who just don’t control their children enough, or think all mental disorders can just be cured by drugs.

One of my fears as we continue to allow lawmakers to tie more and more gun control laws into mental health issues is that society will start to look for false-positives in people and flag them. It is already assumed that the socially-rejected “loner” is a prime target for causing a mass shooting, and that has expanded to social anxiety, video games, internet usage, and other subgenres that some of these shooters shared prior to their events. That creates a dangerous precedent whereby people begin to witch-hunt one another they suspect of being mentally ill. Because many of these laws are designed to strip your second amendment rights without due process, it in turn violates your fourteenth amendment rights to not have your rights taken without said due process. This is especially contentious with laws to bar people on the No-Fly List from owning firearms, because the criteria for getting on that list is less stringent and subject to abuse by law enforcement.

The fact is, we need a very comprehensive breakdown of mental illness and related issues, and we need to be willing to dive deep in the heart of darkness to understand how to combat it. Too many times, people shy away from the dark side of humanity, the mind of people like Dylan Roof, because it’s too painful, or triggering. That only serves to continue deferring the problem until the next attack, and that is why many people have numbed to the concept of mass shootings every few months in the United States, and why more ill people continue to commit these atrocities. For them, it’s a suicide note left for the world to see after they painfully ignored their indirect cries for help. For others, it’s a desire to carry out their deepest, darkest evils knowing mortality will release them from ever having to stare back at their victims or the families.

THE SCAPEGOAT: THE NATIONAL RIFLE ASSOCIATION

The National Rifle Association (NRA) is one of the longest American organizations involved in firearms training, safety, and lobbying for pro-gun rights in America. Founded in 1871, the organization focused primarily on helping improve rifle marksmanship among soldiers and other firearm training and safety measures, they began lobbying legislators concerned with gun control laws after the passage of the National Firearms Act of 1934. Contrary to popular belief, they actually supported both the NFA and the Gun Control Act of 1968 (GCA), taking the position that firearms should be properly licensed and regulated. But after the passage of the GCA, a number of gun rights activists within the organization began to trend the opposite direction. They saw the GCA as a direct threat to Second Amendment rights and encroaching government influence on firearms in America. With Republican influence, the NRA founded the Institute for Legislative Action (ILA), where they spent the late 70s through the 1990s building the division within the NRA that handles gun rights organization, lobbying, and funding. For 2017 and 2018, the NRA contributed $233.996 to mostly Republican candidates, the top among them, Representative Paul Ryan (R-WI) the current speaker of the House. Even though the NRA and the ILA are the same, much of the NRA’s core focus remains on gun safety and training, and support for sport shooting and hunting.

Popular culture has seen the NRA as the great scourge on the gun control debate. After all, as political action committee with significant funding arms, and politicians paid for on their rolls, it’s not hard for someone to connect the dots that they are very much opposed to gun control. However that tends to fall to being a very subjective view, especially as gun control laws currently enforced under the NFA continue to regulate Title II weapons, and ban military-grade weapons to civilians. The NRA also continues to support all current background check and licensing laws, and usually calls for strengthening these versus gun control measures. They unfortunately do not put a lot of effort or lobbying into mental health issues, but it’s not really their wheelhouse.

As a general principle, I don’t support lobbying, so I don’t support the NRA funneling money to lawmakers for any purpose. But the public lambasting of the NRA is particularly irksome to me because they don’t levy the same amount of ire towards Planned Parrenthood, which spent more than the NRA in 2017-2018 on pro-abortion policy towards Senator Claire McCaskill (D-MO) among others. Although it would be slightly fallacious to compare the two, I find it troubling that many liberals lament over gun deaths in America while hand-waving away aborting human life. Both essentially serve the argument of “cutting down children before they’ve had a chance to live”, but take on different meanings. I do not intend to deep-dive into abortion here, but a channel I used to frequent has a good synopsis of that on Youtube if you’re interested. Another example is labor unions, where the Carpenters & Joiners Union spent over ten million dollars in 2017-2018. In fact, labor unions spent a total of over thirty million dollars in that same time span to majority Democrat and liberal sources. The NRA by contrast has spent twenty-three million dollars since 1990. So if the argument is Republican lawmakers are bought-and-paid-for by NRA lobbyists, you may want to go back and look up just how much lobby money lands on your state senator. It’s a bad argument, really, to suggest that lobby money has any direct correlation to House or Senate bills, we generally assume it does, but we also generally assume our lawmakers will stonewall each other with or without that money. You also have to consider that most of that money simply goes into targeted advertising and their re-election campaigns, which in turn goes to fund aides and staff working on the candidate’s re-election. It’s unlikely much of that money is buying Paul Ryan a Bugatti to drive to work every day.

BAN ALL GUNS: THE REAL LIBERAL AGENDA

For the final section, we’re going to end on purely my opinion and analysis.

I believe that the majority of progressive-liberal-Democrats, some moderates, and even some conservatives, want the Second Amendment repealed, and guns confiscated and banned.

What do I base this on? I base this on Jimmy Kimmel-style posturing, the same kind of posturing media figures, Hollywoo elites, and east/west coast urbanites have been pushing since Virginia Tech, and especially since Sandy Hook. They ignore gun statistics, gun deaths, crime statistics, and other data and suggest that if we only were like Australia, or Europe, or Japan, none of this would be a problem. I could look up statistics, and figures, and charts, to compare gun deaths across the world, but so can you. It would not matter. “Many progressives, however, simply don’t care about restrictions on gun ownership. They don’t view it as an individual right, much less an unalienable one. To them, the Second Amendment is an embarrassment, an American quirk that should be limited and confined as much as possible. To them, gun ownership is a privilege, not a right, and can be heavily regulated and restricted without doing any violence at all to individual liberty.” (A Gun-Control Measure Conservatives Should Consider) This is routinely expressed as “Why do you need to own a gun?” or “Does a gun make you more powerful over me?” or “Guns are a show of toxic male masculinity” when the intersectional feminists get involved, despite the fact that more women, non-whites, and homosexuals are registering and buying firearms in the wake of the Pulse Nightclub shooting and other incidents. You often get people who think that guns should only be in the hands of law enforcement, but it’s the same law enforcement they accuse of shooting innocent black teens. I certainly do not advocate for the shooting of law enforcement officials, but the Second Amendment was designed as a check-and-balance against tyranny, and that can take the form of corrupt police officers and government officials. This does not mean militias should go out hunting down cops, you should always exercise the law to handle these people, but by our Constitution, you have a right to self-defense, and that self-defense can be a gun.

Now, owning and using a gun is a huge responsibility, and personally, I am weary about ever owning one. Most shootings occur because the perpetrator has access to someone else’s guns. Not having them obviously makes it more difficult for them to get it, but not impossible. We cannot continue to insist that our own means of defense is ignorance and apathy. If we know guys like this Florida shooter have been talking for months or years about harm, then every access vector has to be shut down, or they need to be removed from the public for their safety. Banning guns does not solve the problem, they will use a vehicle, a knife, explosives, or some other means to carry out their plan. I find it disingenuous of people who think removing all guns somehow solves the problem, especially in a country where guns have been a part of our culture, and you say “What has changed? We didn’t have this frequency of shooting before!” and that answer is simple. We didn’t have the kind of society back then that we do now, The times have changed, and people, predictably, are stubborn to change.

But even more disingenuous are edgelord liberals who mock “thoughts and prayers”. Look, I am not a religious person, I am fairly agnostic, but I am not an atheist, nor do I particularly like the kind of edgelord internet atheists who shit all over people of faith for exercising their belief. I am not naive enough to believe “thoughts and prayers” will solve anything, or bring any kind of resolution towards the families, but for many people who believe in faith, and believe in God and Heaven, they are simply coping in a different way than everyone else copes. Don’t be shitty. Don’t be that kind of person who mocks other people’s beliefs because they don’t conform to yours, or especially to your political beliefs. Especially if you intend to promote any kind of tolerance and understanding, which honestly, I do tend to mock liberals for, because some do not tolerate anyone that doesn’t conform to their opinions.

But this all coalesces into the current socio-political climate of extreme divisiveness between each other, and it was something that existed before President Trump, who is also a frequent target of poorly-linked Republican or NRA plots to kill children. I’ve linked the Project Gunrunner page to a few people in the last few days to remind them how many innocent Mexicans we have proxy-killed with American firearms as the result of botched proxy gun sales to Mexican cartels in an effort to catch them. Then-President Obama and AG Eric Holder were involved in “Operation Fast and Furious” in 2009-2010, and Holder was subsequently brought up on charges of lying and withholding documentation. This idea that Democrats are squeaky-clean is something unraveling fast in the Muller Trump-Russia investigation, and why people need to read everything and make logical conclusions rather than bandwagoning.

Because in the end, Florida is still a tragedy, and a terrible loss of life by someone with a twisted, dark mind willing and capable of committing evil. We have to earnestly begin to re-examine every aspect and walk of life if we want to stop this, and that is something that requires all of us to do.

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Star Wars Episode VIII: The Last Jedi

Like last time, if you want the spoiler version of this review, go to the bottom and expand the cut. In addition to the spoiler cut, I’ve also added what I call the BuzzygonMarySlate Review, where I break down the film for social justice culture warriors and their lovable opponents. I like to be inclusive.

For a second entry in the third trilogy, The Last Jedi plays two important roles. One is to further flesh out the characters introduced in the first film, and the second is to set the stage for the final movie. The Original Trilogy’s Empire Strikes Back did this masterfully, and in my mind, the film is still the best film of every Star Wars film made. The Prequel Trilogy’s Attack of the Clones also served that capacity while attempting, rather badly, to expand Anakin and Padme’s relationship. Writer-director Rian Johnson may not quite be Empire’s Lawrence Kasdan, who worked on the previous film in the new trilogy, but for someone with a relatively low profile taking on a big franchise in its middle act, he played most of the right cards that needed to be played.

Like Empire, the second movie crawl opens to the remnants of The Resistance escaping into space from their previous base, as The First Order fleet, its uptight commander Hux, the brooding and troubled Kylo Ren, and Supreme Leader Snoke give chase. Poe Dameon, the hotshot X-Wing pilot, sets up a rather amusing conversation with Hux to stall long enough to launch a counterattack against their Dreadnought, setting the stage for further internal and external conflict throughout the rest of the film. Meanwhile, Rey encounters Luke Skywalker on his island, hands him his lightsaber, and he shoulder-tosses it behind him, also setting the stage for mostly-internal conflict among them for the rest of the film.

Mark Hamill, returning to his iconic role as a now-hermit-grizzled Luke, plays the part very well throughout this movie, with plenty of witty quips, and plenty of genuine emotional responses to things like seeing Chewbacca again, The Millennium Falcon, and other surprises. Because much of the movie centers around the last Jedi master, his performance served to set up much of the film’s primary cast development, but fell slightly short of delivering the kind of performance we got from Master Yoda in Empire. I had a lot of speculation about how Luke and Rey were going to interact, which I think would have functioned better overall, but it was glossed over, possibly for brevity.

Carrie Fisher’s final role, as Leia Organa, did not impact me as much as I thought it would, and seemed much more muted than her performance in The Force Awakens. Still, as the glue that holds any kind of rebel alliance together, she peppered her dialogue with wit, and mentored Poe in a way not unlike Mark Harmon in the television series NCIS. I had wondered how they were going to handle her character after the actresses’ untimely death in 2016, but I am satisfied with the direction they took given the circumstances.

Daisy Ridley and Adam Driver also deliver their respective roles of Rey and Kylo Ren well, but their presences felt muted compared to those of John Boyega and Kelly Marie Tran as Finn and Rose Tico, who occupy most of the middle acts on a side quest to aid the fleeing Resistance. Many reviews from the first movie talked about the chemistry between Ridley and Boyega as Rey and Finn, but I would suggest that the chemistry between Boyega and Tran was much better played in this film, especially as both of their characters come from similar pasts.

The action and special effects continue to stay top-tier for the franchise, with an opening space battle, and closing ground battle. It does not really measure up to the same effects of the first film, but is on-par with the other middle films as they are meant to be within their respective stories. It more closely compares to Rogue One in terms of being more character-heavy than starbattle-heavy.

Overall, it’s an acceptable entry to the franchise, and a much better attempt at a more original story than its predecessor. How the final entry is going to measure up remains to be seen. My hope is that the writing talent is able to convert most of the character development from this movie into satisfying conclusions to pair with whatever epic space battles are planned. However, a few issues exist in this film, but unfortunately, can only be covered in the spoilers sections. Read below if you’ve seen the film, otherwise, go see the film.

The Spoilers Review


It’s hard to write reviews without spoiling parts of the movie, because I have to talk about them in order to really detail why I feel a certain way about the film. So here are some spoiler-points in chronological order:

FTL: Star Wars Edition
The Resistance. Unlike the Rebel Alliance in the original films, or The Republic in the prequel films, The Resistance seems to function similarly to that of a space-gang than a paramilitary force. They have some equipment, some ships, some bombers, and some fighters, but they seem to lack the gumption or the leadership that we enjoyed in Mon Mothma’s Rebel Alliance. Which really begs the question; Where is The Republic? The first film suggested it was restored after the fall of The Empire, so you’d think that most of the Rebel fleet would convert over to Republic fleets, or take over the hardware left by The Empire. I assume they are leaving this plot hole open for a future film, but the way it plays into the current Resistance has been nagging me since the start of this trilogy. Unfortunately, that nag did not help as the entire plot device for this film was literally space fuel. Yes, Star Wars, a franchise that has never once explored the limits of capital ship engine and fuel management, decided to make its second film in the franchise a 4X space simulator.

My wife, who is not really a Star Wars nerd like I am, but enjoys the movies, lamented the most about this long crawl of events. The space-chase is a classic way of moving a character-heavy, dialogue-heavy middle section of the movie along, but it doesn’t really serve anything, and most viewers aren’t really interested, or feeling the tension, of being reminded how much fuel the ship has left. If anything, they are questioning how Snoke’s ship has a plot-device-hyperspace-scanner on it (1), and why that is even a thing. It’s like half of this movie was ripped out of the heads of the younger kids in my scout troop who used to play Star Wars The Roleplaying Game like they had god mode enabled in a video game. “YEAH? WELL YOU CAN’T GET AWAY, MY SHIP CAN TRACK YOU THROUGH LIGHTSPEED! What?

(1): I sort of forgot that in A New Hope, Vader had a tracking device planted on the Falcon to track its movements through space. Also, in Rogue One, Jyn mentioned hyperspace tracking in the list of projects and files while they were searching for the Death Star plans. Now, you can settle that there, or you can nuance and say; In ANH, they had to place the device on the ship in order to track it. In TLJ, it’s established the device is on Snoke’s flagship. So what Jyn found either was the tech Vader would then use on the Falcon, or the evolution of that tech into what Snoke would later use, one that does not require the device to be placed on that you want to track. It also surprises me no countermeasures were developed against those, as unlike Trek, it seems cloaking and a lot of other evasion tech relies on scrambling enemy scanners, so reasonably, counter-tech would also include interfering with the ability to scan through hyperspace, like decoys.

The Killing Joke
The entire plotline of finding Luke Skywalker was obviously meant to set him up as the new Yoda, the island retreat where no one could find him, shoulder-tossing his lightsaber, THE FORCE ENDS HERE, THIS FAR NO FURTHER, and basically being the old guy from Up. The film tried to re-create the Dagobah scenes from Empire, but didn’t really capture those moments the same way, and it leaves you feeling like Rey didn’t really accomplish anything she already didn’t have from the previous film.

Luke went into the beginning of Empire having blown up a Death Star using the force, but not knowing what the force was, or how to really use it. So after Hoth, he split from the others and went in search of answers. He thought he could just get the TL;DR and run back to his friends, but Yoda put him through mental and physical paces, before Luke ultimately cut short and ran anyway thinking he could confront Darth Vader.

Rey went down a similar path. She stumbled on to the force like Luke did and managed it well enough to score a victory against Kylo in the first film, but lacked the discipline, and the meaning, behind that power. She came to Luke with two goals: A: Recruit him back to The Resistance B: Learn how to properly use the force. Luke was uninterested in both. So they played this full tsundere game while Snoke was linking her mind to Kylo, and Kylo was egging her to get the full story on how Luke almost killed him. Finally she wore Luke down enough so that he’d try to teach her, but the lessons were really more philosophical than anything. The force is not power, it’s all living things and the energy between them. We knew this already as viewers, we knew The Jedi Order was basically a religion, and there are plenty of religious references in this film. Ultimately, when Rey reaches her confront Kylo Ren moment and leaves, she leaves pretty much the same as she was when she got there. It would have been a little more interesting had she raised his X-Wing and flown that, or fought Luke and came to a mutual conclusion. All we got was a reflective cave scene, which I assume was meant to mimic the Luke-as-Vader scene in Empire, but intended to be more cerebral, I guess?

Leia and The Force
I thought for sure when Kylo Ren’s escorts took out the Resistance flagship bridge that Leia was dead. Carrie Fischer had passed away before the release of the movie, and they had plenty of time to change the story to fit, so I thought this was her end. But somehow she uses the force to get herself back to the airlock and is saved, and is alive at the end of the film. What? I mean, that is fine, presumably she will simply exist as an off-screen character in the final film or have some kind of CGI applied like they did with Tarkin in Rogue One, but I don’t know if I am willing to accept that kind of comeback, even with the force, which Leia has never really demonstrated having any real ability with aside from sense.

The Incredible Misadventures of Finn and Rose
If I had to single out the most badly-executed section of the movie, it would be Finn and Rose’s adventure to the casino world. Not because the characters themselves were bad, but because it was just a bad way to execute this plot. First off, the setup for this plot was that Snoke’s ship has a tracker that can track their ship through lightspeed. The only way to disable it is to get on board and cut off its power. But it’s heavily shielded and cannot be hacked remotely. But a MASTER CODEBREAKER, by recommendation of Maz Kanata, can break through it. So Finn and Rose embark to a planet where rich oligarchs and arms dealers gamble and race animals for amusement. Three plot-points are made here:

1. Rose came from a race of slaves like those caring for the animals, and resents oppressors, and the rich people who support them.
2. Arms dealers routinely sell weapons to both The First Order and The Resistance, highlighting the agnosticism of selling weapons in war.
3. The deal, can always be altered. Pray it isn’t altered any further.

Let me address each point separately, and tie it together into why I feel this entire off-world experience should never have happened:

Rose’s Past: Rose’s past is important to her character, and it gives her common ground with which to connect to Finn, who is also the product of servitude-by-oppression. However, going to a planet full of rich people and arms dealers does not do anything other than satisfy a sense of justice when the place gets wrecked up towards the end, even though she knows it fundamentally changes nothing. We could still get the full impact of her character without these visuals in the form of brief flashbacks.

Arms Dealers: Like the scene in Empire where Vader calls for bounty hunters, this film could have employed a similar scene where Hux is seen calling arms dealers to inquire about weapons to replace the destroyed Dreadnaught, perhaps alluding to a future weapon for the next film or something sinister. That scene could then be tied back to Finn and Rose when they’re on the ship and stumble upon what The First Order is planning. It enables some sub-plot and off-screen plot to occur to find out who is funding The First Order’s military machine, if you really want to go down this path.

The Deal: The “Codemaster”, or whomever that got Finn and Rose onto the ship, but quickly sold them and the fleeing cloaked ships out, represents Empire’s “The Deal”, and is the oldest form of deception in Star Wars. This scene was really penultimate scene for Finn and Rose prior to the ground assault, but it exemplifies the best aspect of Star Wars, that outside of empires and rebellions, the rest of the galaxy engages in all sorts of legitimate and illegitimate business, and there are many characters without morals, or allegiances.

All of these roll into my view that the off-world excursion should have been replaced with Finn and Rose, using Rose’s technical ability, and Finn’s resourcefulness in-a-pinch, to find their own way on board Snoke’s flagship, and sabotage it before bumping into Rey, whereabouts they’re all captured, Rey is brought before Snoke, Finn before Phasma, and Rose put in a cell block. Then Rey’s sequence happens, Finn beats Phasma and rescues Rose (important character point), they find Rey, and manage their way off the ship just in the nick of time.

Snuffing Snoke
Like my Guardians of the Galaxy Part 2 review, it feels like The Last Jedi spent its load too quickly by killing Snoke off two-thirds into the film. Now, to be fair, this could not be the real Snoke. It could be a puppet, or something not unlike what Luke did at the end of the movie. But, assuming it was Snoke, this is Kylo Ren’s magnum opus, he wants to take total control of The First Order to prove he has power. But even more importantly, he wants to control it himself, as Kylo Ren, and not following Darth Vader, or even Luke Skywalker. That was the significance behind his appeal to Rey to get her to join him. Before, he wanted control over her because he wanted the kind of control Vader had over anyone. But having been beaten and humiliated, having a glimpse at the struggles Rey has had and continues to take on, and realizing that he’ll only ever be in someone else’s shadow, he grasped for control over himself. It would have been far more interesting had either Rey joined him or he joined Rey, and together they explored the “grey side” of the force, something that would make this trilogy stand out on its own and be remembered for something like the first two.

But at the end, Ren decides otherwise, jumps ship, and he angerly confronts Luke’s force ghost hoping to best Luke in combat and come around full circle. In a way, he won, Luke dies as the result of expending so much energy, but psychologically, he still lost, especially knowing Rey is still out there, able to challenge his position.

Finn
Finn is an interesting character, but he is also Courage the Cowardly Dog, able to meet and exceed expectations, but complaining the entire way to, from, during, before, and after. Rose helped to advance his character along a little in this movie, to where by the end, he was willing to sacrifice himself to possibly stop the battering laser. But Rose’s near-sacrifice really should teach him the lesson that took Han Solo three movies to figure out, and that is no one person stands alone in the galaxy, not when there are others willing and able to fight with you, or for you.

Conclusion
After listening to the excellent RedLetterMedia guys talk about this, which will hopefully lead to a Plinkett review, my overall take on this movie is that it was not bad, but it was not good either. All of the characters were great, and there was plenty of interaction between them, but a lot of it felt forced and cookie-cutter, and the main plots were just weak. The only interesting thing for me was Kylo and Rey, the force-mind link, and them working together to defeat Snoke and his guards. I feel like the film wasted a golden opportunity to forge an interesting path for both characters into something we have not seen before, but it ultimately settled for making Kylo Ren the bad guy again, for no real reason. I also feel like they gutted Luke’s character significantly, either to prove a point, or make it so he does not steal the show from the main cast members. I know a lot of older fans associate him with the franchise and the franchise’s “legacy”, but his role here was to teach the next generation and let them find their own way, as Yoda did to him.

Someone mentioned this movie felt like a Netflix series, or a Marvel movie. That’s actually a good way of putting it. It feels like Disney-influenced Star Wars was sanitized, removing the gritty, darker elements of the universe, elements that made the original films good once you looked past all the surface characters. I actually hope that after Episode IX comes out in theaters, Disney considers a different direction for the franchise, possibly Netflix series or just side-stories. Because it’s becoming more and more apparent that the original trilogy should have just stayed as-is and nothing else been made, even by Lucas himself.

The BuzzygonMarySlate Review

The unfortunate aspect of the new Star Wars film, amongst the current sociopolitical climate, is that they are being deeply examined and picked apart by culture critics, the kind that have been picking apart other movie franchises like The Ghostbusters, and video game, comic book, and other nerd fandoms. So I felt it was neccessary to get out ahead of this and provide my input from this perspective to prepare you for what will inevitably come down the manufactured controversy pipeline.

A good primer for this section would be to read Richard Brody’s review, which was marked as negative on Rotten Tomatoes, I think encompasses some of how I felt about watching the film.

Despite a few stunning decorative touches (most of which involve the color red) and that brief central sequence of multiple Reys, the movie comes off as a work that’s ironed out, flattened down, appallingly purified. Above all, it delivers a terrifyingly calculated consensus storytelling, an artificial universality that is achieved, in part, through express religious references.

The pacing of the movie felt very calculated, and dare I say, intentionally designed, to tick off focus group boxes, much like the first. Much of the story seemed put together neatly, like a jigsaw puzzle. So it makes sense for the above tweet by a game journalist to assume that any criticism of the movie would logically fall down to people mad online with unwarranted self-importance, especially if they didn’t like Rey or Rose, that’s double points for social justice culture warriors, you hate women AND minorities. It bothers me greatly because I am a huge fan of the universe, not the films. I could honestly care less about the legacy of Luke Skywalker or Darth Vader, they’re excellent characters, but twenty-some years of books, television, animation, and other materials expanded the universe far beyond those films. Rogue One, which released between VII and VIII, captured this spirit perfectly in a story about characters that weren’t Jedi, just average everyday fighters of the Rebellion, and powerful leaders of the Empire. I mean, read the Thrawn Trilogy by Timothy Zahn. It’s such an excellent book series, because it introduced an Empire admiral that wasn’t just some cookie-cutter bad guy, he had sophistication and depth to him.

But, as explanations go, here are some other examples of things I felt stand out from this perspective, not particularly in chronological order:

Toxic Masculinity in Space

Poe Daemon’s character in the first movie seemed to be fairly standard, an X-Wing pilot tasked with getting vital information back to The Resistance, much like Leia’s role in A New Hope. In the second movie, Poe’s role seems to have been expanded to being a character used to exemplify bad tactical decisions, such as his plan to take out the Dreadnaught, which succeeded, but at the cost of a lot of lives, and equipment. Leia seems to not care for Poe’s decision-making or bravado, but she does not seem fit to stop him, and somewhat cherishes that spirit of the rebellion.

But, every character needs a foil, something to challenge them and reward them for meeting and overcoming the challenge. That challenge was Vice Admiral Holdo, an older purple-haired woman played by F is for Family matriarch Laura Dern, and as far as deadpan expressionism goes, she nailed the role well, so I applaud the choice of actress here. Holdo is lauded as being a brilliant tactician, one of the best. So Poe eagerly awaits her orders…

…and she orders them to flee.

Naturally, Poe does not like the face they are fleeing, without any real plan, and under the threat of minimal fuel left. So he asks her what the plan is. She offers nothing, but then coyly notes his eagerness by lamenting about how he’s just like every other “flyboy”. Now you can interpret this along canonical lines by saying it’s a callback to Leia and Han, how Leia looked down on Han’s roughed profession and loose morals, but part of their character development was that when he pulled through, she respected his ability to pull through in a pinch. Most culture critics, however, are going to see this as an open-handed slap towards boys mad on the internet or fanboys angry their precious Star Wars is full of women and minorities. The setup is simple, female leader in power, doesn’t tell the male underlings the plan, because they don’t need to know, they just need to listen and believe.

The latter point is further reinforced when Poe’s half-baked plan fails, and then he finds out that Holdo’s real plan was to evacuate the ship, and cloak the escaping ships’ approaches to the new base. But this plan is foiled when DJ gives up the cloaking codes to The First Order when Finn and Rose are captured, enabling them to target and pick off fleeing vessels. Holdo sacrifices herself to ram the flagship into Snoke’s flagship using the hyperdrive, earning Poe’s respect, but underlining the real message all along; If you only trusted THE WOMAN IN CHARGE, none of this would have happened. Consequently, had she just informed Poe or the rest of the crew what the plan was, Finn and Rose wouldn’t have had to go and ultimately get captured, and the cloak would not have gotten out to The First Order.

As I can hear some of you screeching, let me offer a canonical example; Mon Mothma is one of the franchise’s oldest female Rebel leaders, seen in A New Hope, and the side-story Rogue One leading The Rebel Alliance during their tenure on Yavin. It was here Jyn Urso detailed her willingness to retrieve the Death Star plans so they could blow it up, and was declined. They did it anyway, which got those plans, but at the cost of everyone who went there. Later, she authorized the plan to attack the Death Star with the plans. In either instance, there was no hidden agendas, no ulterior motives. Decisions were made. Mothma didn’t dance around the issue, or call her male Rebel pilots, eager or not, “flyboys”. She commanded respect, and received respect. Why is Holdo different? Is it her character? Is it a previous unexplained relationship with Poe or someone like Poe? Certainly we won’t know unless we get a book or something that explores this more, but the point is that for all these events to stack the way they did, the writers had to have inflected something here to tell a fourth-wall subplot subtlety intended to trigger culture warriors. Especially with purple hair.

Mary-Sue Who?
A big contention point for many from the previous film was that Rey was too much of a “Mary Sue”, a character trope in written fan-fiction where the author’s self-insert character is too connected or powerful, the envy of all, and the love interest of the main established characters of the franchise. For the record, I did not really think Rey was a Mary Sue, but I do think that she has not really been written adequately enough compared to, say, Jyn Urso in Rogue One. Characters in the Star Wars universe often come from less-than-noble backgrounds or are just plain fodder that somehow wind up in a larger series of events and survive long enough to become the hero. Luke Skywalker was a backwater farm hand who happened to acquire Rebel droids with a message for a hermit Jedi Master. Only later did he learn his linage and decided to take up the force. Rey literally has no past, we find her on a sand world salvaging parts for food. She too gets swept up into events by a droid and a defecting stormtrooper, but her introduction to the force wasn’t as warmly as Luke’s, she was thrust upon it, by Kylo Ren. With no explained reason for her force powers, viewers found it hard to believe that she could just pick up a lightsaber and fight on-par with Kylo Ren, who at least has had formal training by two masters, even if his own self-control is lacking.

I came across a good Medium piece by Joseph Choi also talking about Rey and character development as it relates to Luke and Anakin Skywalker in the first two trilogies.

Everything that informed Anakin’s turn to the dark side was a question of nurture over nature. He was a sweet kid, starting out. But he was presented with obstacles, and given choices. Some of his choices may have been either bad or good, depending on your point of view, but the ones that led him towards the dark side were clearly defined. He slew the sand people. He slew an unarmed Count Dooku. He let his fear of Padme dying — a strong premonition, nothing more — influence his actions to turn against Mace Windu and support Palpatine’s murderous plot. He killed children. He murdered the Seperatist leadership. Finally, he choked his own wife. When he awakens in the Darth Vader suit, the first thing little Ani asks is whether Padme is alive. His grief and anguish over learning that she died drove him over the edge in sorrow. The aftermath of Revenge of the Sith paints a very clear picture of what kind of a man the imposing villain of the OT really was. Vader was not born innately evil, nor a misunderstood hero. He’s a tragic figure who made some very bad choices and became essentially spiritually trapped in a cyborg body, doing the bidding of the master he was cleverly manipulated into serving. Now that’s a mythological story if I ever heard one. It’s Faustian, epic, allegorical, and larger-than-life.

For all the other things in the prequel trilogy, the clunky dialogue, all of Episode I, and Jar-Jar Binks, Lucas still managed to tell a decently-crafted prologue of the events leading up to Vader and Episode IV. Both Anakin and Luke had Jedi masters to guide them through the force. Rey did not. So really, in the first and second movies, we should have seen her usage of the force be erratic, unstable, and fail constantly. Lightsabers are lightsabers, General Grevious proved you don’t need force powers to use one, and even Finn gave it a decent shot in the first film. But as far as persuasion, movement, and senses, Rey should have rolled ones on her D20 five out of six times, at least until this movie where Luke could actually teach her how to focus her skills, while explaining that the force is more than just those powers. This could have been a movie where we learned what the force really was, and even that opportunity was wasted. Snoke coming in and connecting her mind to Kylo’s with the force, was actually a pretty clever idea plot-wise, and really could have served alongside Luke’s training to sow the seeds of doubt in Rey and have her come to the same realization that Luke came to in Empire, that she needed to do something, and although her training was not complete, she feels it is, and sets off to do something anyway. That’s when she encounters Kylo Ren, they batt, he persuades her to join him, to discard everything, and start anew. But the twist from Empire, is that because she wishes to save him, she accepts, and this sets up a major plot in the third movie where she has been turned to the dark side by Snoke and Kylo Ren, and Luke must make the final confrontation, where he frees Rey’s mind, she defeats Snoke, and he sacrifices himself to free Kylo from the dark side. That is better Rey character development to me, giving her goals to achieve, steps to perform, and major failure to iterate on. Letting her just waltz through these movies, winning everything, and losing nothing, puts her dangerously close to Sue territory.

Emo Kylo Ren

The major criticism of Kylo Ren from the first movie was that he was a whiny teen angry over not being a dark side badass like Darth Vader, and angry that he was beaten by a girl. Culture critics sparred no expense ripping on his character, comparing it to “whiny basement-dwelling manchildren”, and otherwise not taking his character seriously. Some of it was justified. The fits of rage, destroying consoles. My wife also said he was a whiny emo kid. But there is a method to the madness of portraying Kylo Ren as an unstable force user, because he is just a kid, like Anakin, like Luke. But being farther in the future, after force users like Palpatine, Vader, and Yoda are gone, and only Luke remains, who isn’t really a master in his own right, any new force user now should be unstable, there is no Jedi Order to train stable masters anymore. Now you could say Snoke is a master, but the conflation of evil military empire power with force power are not mutually exclusive, Snoke can command the largest fleet in the galaxy, but still not really be a master of the dark side any more than Rey currently can use the light side.

So that instability is exploited by Snoke to link their minds together in order to bait Rey into believing that Kylo can be saved. I am not immediately sure if Kylo knew about this before, or if he knew whether or not Snoke trusted him, but this actually served to really expand Kylo’s character, to show he wasn’t just some emotionally-stunted child, that he was trying to assert his place in the galaxy and among The First Order, but could not reconcile the past, and how Luke almost killed him for dark side temptations.

Considering the prequel trilogy was about master and apprentice, the original trilogy was about father and son, this trilogy has yet to really establish what the relationship is between Kylo Ren and anyone. At first there was Han and Leia, his parents, but he killed Han in the first movie, and nearly killed Leia in the second, or does not seem to care if she dies. Then there is Rey, whom we do not know of there being any real relationship, but where he was partially motivated to take her on as an apprentice, he couldn’t follow through with that. His relationship with Luke is estranged, largely by Luke’s own actions, which aren’t really adequately explained even by Luke himself. So Kylo is really kind of on his own, and the only people he is shown to have any kind of relationship with was Snoke and Hux, and he killed Snoke. So I am curious if any culture critics will revise their ideas of Kylo after this movie, if they see him simply as someone who is trying to figure out their path in the galaxy, or still as some manchild bent on power and conquest. Considering the final scene and fight with Luke, probably the latter.

“Let the Past Die”
Kylo Ren and Luke Skywalker both insisted that the past, the Jedi, the war, both sides, everything should just go away in this film. It’s a supremely nihilist point-of-view, really, and a curious one on part of the writing staff and directors. Why should everything die? Because Luke ran into one snag with his nephew and called it quits? Because Kylo Ren isn’t Darth Vader?

No, I think this represents a very millennial point-of-view, and a very current-Hollywood point-of-view when it comes to rebooting movie franchises from the past that have especially large fandoms attached to them. The amount of contempt seen among culture critics for fans of the original trilogies and of core characters like Luke and Han, moreso than Leia because she is the face of the modern political “resistance”, is palpable and strange. A lot of the decision-making and writing in the new films seems to insinuate that they want new, Disney Star Wars, to be so far removed from the original source material, that the core fanbase eventually quits out and is replaced by new fans, uninterested in the original material, so they can be fed the new, sanitized material free from backlash.

Now, that is an incredible stretch, but it’s not completely inconceivable. Long-time franchises have to change up their material in order to draw in new fans. Naturally, Lucas’ Star Wars tried to appeal to new fans with the prequel trilogy by importing more kid-friendly elements to the first movie. Today’s Star Wars is making an effort to pull in more women and minority fans with Rey, Finn, Rose, and others. None of this is especially insidious or bad to the franchise, so long as these characters are written well, develop well, and are open enough to be iterated upon in other media. You will have fans of the core characters unable to cope with the transition, and that’s something we need to work them through, like the loss of a grandparent or parent, not with scorn and apathy as if they “just don’t understand how it’s $CURRENT_YEAR and need to get over it.” I personally am fairly invested in the Star Wars universe, although not quite the same as Star Trek, but when JJ Abrams rolled through the Trek universe, I was disappointed, but it’s the price of doing business to attract new fans, and build a base for what would eventually get Discovery on TV, which is an acceptable entry to the franchise.

I would, however, hope that eventually, Hollywood culture critics, and insiders to film and television, begin to understand that there are not really large swaths of people out here trying to actively fight against change in their favorite franchises, they just want respectable attempts to introduce new elements and bridge the old ones. I’ve often said the best way to soft-reboot an older franchise, especially when you have most of the original cast, is to do it in a “hand-off-the-baton” manner, to have the old cast pass the legacy on to the new cast, and to embrace it moving forward into their own stories and paths, as humans naturally do in life. Trying to subvert or destroy the past does not serve to continue connecting the future of a universe that the fandom built around Star Wars, and make no mistake, had it not been for the fandom creating the universe around Star Wars, it would simply just be three successful films archived in the history of cinema. Nothing more.

I may have more later, but at over six-thousand words, I think this will be enough for now to get the point across. I may also go watch it again just to refresh my memory of what I saw before, maybe look for things I did not see before that could help revise some of these sections. Stay tuned.

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